
Blackmagic Design URSA Cine 12K Camera with 16-Stop Dynamic Range and Built-In ND Filters (PL Mount)
Blackmagic Design URSA Cine 12K Camera with 16-Stop Dynamic Range and Built-In ND Filters (PL Mount)
The Blackmagic Design URSA Cine is a revolutionary digital
film camera that introduces new advanced digital film technology combined with
total integration into the post-production workflow. That means it's the first
digital film camera with fast capability storage built in, plus high-speed
networking for onset media sync. Blackmagic URSA Cine also introduces a new
large format RGBW 36 x 24mm image sensor with larger photo sites for incredible
dynamic range. It works with the PL lens mount. There's even Wi-Fi with SRT
streaming for remote client viewing. Plus the industry standard Lemo and
Fischer connections make it perfect for high-end cinema production.
Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality
images at all resolutions from 4K to a massive 12K. The larger sensor builds on
the technology of URSA Mini Pro 12K with larger photo-sites leading to an
astounding 16 stops of dynamic range. The unique RGBW architecture provides
equal amounts of red, green, and blue pixels. This means it is optimized to
deliver incredibly rich colors at all resolutions and provide the ultimate
in-image quality and flexibility. Now you can capture more detail with a wider
dynamic range than ever before. Plus, in-sensor scaling means you can record at
all resolutions without cropping.
A Camera Body Optimized for High-End Productions
URSA Cine is designed to meet the demands of any high-end production. The
evenly weighted camera body is built with a robust magnesium alloy chassis and
lightweight carbon fiber polycarbonate composite skin to help you move quickly
on set. Soft touch backlit buttons make controls easy to see in all conditions.
There’s a 5-inch fold-out touchscreen for reviewing shots and accessing camera
settings, plus a dedicated assist station on the other side of the camera, with
a 5-inch LCD and full camera controls. Standard Lemo and Fischer connectors let
you control the camera remotely while providing power for lens motors and other
accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.
Large Format Flexibility
The large format sensor in URSA Cine provides the ultimate in flexibility for
aspect ratios, lenses, and delivery formats. The full sensor area gives you a
stunning 3:2 open gate image which lets you reframe your shots in
post-production. Or you can use the large sensor area to shoot anamorphic and
deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x
de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire
sensor without cropping, retaining the full field of view of your lenses. There
are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility
with classic cinema lenses. All this lets you create distinctive content in the
highest quality.
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Cine features an
interchangeable lens mount. You can quickly switch between PL, LPL, EF, and
Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or
large format Hasselblad photographic lenses, making URSA Cine compatible with
the widest possible range of professional lenses. Imagine using modern
high-speed lenses for sharp, precise images on one shoot and then shooting a
period drama with vintage photographic lenses next. Plus, each mount has
contact pins to read lens metadata for monitoring and use in post-production.
With URSA Cine, you have the freedom to choose the lens you need for any kind
of work.
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Blackmagic Design URSA Cine 12K Camera with 16-Stop Dynamic Range and Built-In ND Filters (PL Mount)
The Blackmagic Design URSA Cine is a revolutionary digital
film camera that introduces new advanced digital film technology combined with
total integration into the post-production workflow. That means it's the first
digital film camera with fast capability storage built in, plus high-speed
networking for onset media sync. Blackmagic URSA Cine also introduces a new
large format RGBW 36 x 24mm image sensor with larger photo sites for incredible
dynamic range. It works with the PL lens mount. There's even Wi-Fi with SRT
streaming for remote client viewing. Plus the industry standard Lemo and
Fischer connections make it perfect for high-end cinema production.
Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality
images at all resolutions from 4K to a massive 12K. The larger sensor builds on
the technology of URSA Mini Pro 12K with larger photo-sites leading to an
astounding 16 stops of dynamic range. The unique RGBW architecture provides
equal amounts of red, green, and blue pixels. This means it is optimized to
deliver incredibly rich colors at all resolutions and provide the ultimate
in-image quality and flexibility. Now you can capture more detail with a wider
dynamic range than ever before. Plus, in-sensor scaling means you can record at
all resolutions without cropping.
A Camera Body Optimized for High-End Productions
URSA Cine is designed to meet the demands of any high-end production. The
evenly weighted camera body is built with a robust magnesium alloy chassis and
lightweight carbon fiber polycarbonate composite skin to help you move quickly
on set. Soft touch backlit buttons make controls easy to see in all conditions.
There’s a 5-inch fold-out touchscreen for reviewing shots and accessing camera
settings, plus a dedicated assist station on the other side of the camera, with
a 5-inch LCD and full camera controls. Standard Lemo and Fischer connectors let
you control the camera remotely while providing power for lens motors and other
accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.
Large Format Flexibility
The large format sensor in URSA Cine provides the ultimate in flexibility for
aspect ratios, lenses, and delivery formats. The full sensor area gives you a
stunning 3:2 open gate image which lets you reframe your shots in
post-production. Or you can use the large sensor area to shoot anamorphic and
deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x
de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire
sensor without cropping, retaining the full field of view of your lenses. There
are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility
with classic cinema lenses. All this lets you create distinctive content in the
highest quality.
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Cine features an
interchangeable lens mount. You can quickly switch between PL, LPL, EF, and
Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or
large format Hasselblad photographic lenses, making URSA Cine compatible with
the widest possible range of professional lenses. Imagine using modern
high-speed lenses for sharp, precise images on one shoot and then shooting a
period drama with vintage photographic lenses next. Plus, each mount has
contact pins to read lens metadata for monitoring and use in post-production.
With URSA Cine, you have the freedom to choose the lens you need for any kind
of work.
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Description
The Blackmagic Design URSA Cine is a revolutionary digital
film camera that introduces new advanced digital film technology combined with
total integration into the post-production workflow. That means it's the first
digital film camera with fast capability storage built in, plus high-speed
networking for onset media sync. Blackmagic URSA Cine also introduces a new
large format RGBW 36 x 24mm image sensor with larger photo sites for incredible
dynamic range. It works with the PL lens mount. There's even Wi-Fi with SRT
streaming for remote client viewing. Plus the industry standard Lemo and
Fischer connections make it perfect for high-end cinema production.
Cinematic Large Format Sensor
URSA Cine features a revolutionary new sensor designed for incredible quality
images at all resolutions from 4K to a massive 12K. The larger sensor builds on
the technology of URSA Mini Pro 12K with larger photo-sites leading to an
astounding 16 stops of dynamic range. The unique RGBW architecture provides
equal amounts of red, green, and blue pixels. This means it is optimized to
deliver incredibly rich colors at all resolutions and provide the ultimate
in-image quality and flexibility. Now you can capture more detail with a wider
dynamic range than ever before. Plus, in-sensor scaling means you can record at
all resolutions without cropping.
A Camera Body Optimized for High-End Productions
URSA Cine is designed to meet the demands of any high-end production. The
evenly weighted camera body is built with a robust magnesium alloy chassis and
lightweight carbon fiber polycarbonate composite skin to help you move quickly
on set. Soft touch backlit buttons make controls easy to see in all conditions.
There’s a 5-inch fold-out touchscreen for reviewing shots and accessing camera
settings, plus a dedicated assist station on the other side of the camera, with
a 5-inch LCD and full camera controls. Standard Lemo and Fischer connectors let
you control the camera remotely while providing power for lens motors and other
accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.
Large Format Flexibility
The large format sensor in URSA Cine provides the ultimate in flexibility for
aspect ratios, lenses, and delivery formats. The full sensor area gives you a
stunning 3:2 open gate image which lets you reframe your shots in
post-production. Or you can use the large sensor area to shoot anamorphic and
deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x
de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire
sensor without cropping, retaining the full field of view of your lenses. There
are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility
with classic cinema lenses. All this lets you create distinctive content in the
highest quality.
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Cine features an
interchangeable lens mount. You can quickly switch between PL, LPL, EF, and
Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or
large format Hasselblad photographic lenses, making URSA Cine compatible with
the widest possible range of professional lenses. Imagine using modern
high-speed lenses for sharp, precise images on one shoot and then shooting a
period drama with vintage photographic lenses next. Plus, each mount has
contact pins to read lens metadata for monitoring and use in post-production.
With URSA Cine, you have the freedom to choose the lens you need for any kind
of work.























